Seed Words for Horse?
BANGED TAIL TAIL THAT BEEN TRIMMED LEVEL BOTTOM SEEN DRESSAGE HORSES HUNTERS ARABIANS WESTERN PLEASURE HORSES BLOOM USUALLY REFERS HAIR THAT CLEAN GLOSSY DENOTING HEALTHY APPEARANCE BODY BRUSH LARGE OVAL-SHAPED BRUSH WITH HAND SUPPORT STRAP WHICH USED REMOVE DIRT DUST DANDRUFF FROM HORSE'S COAT LENGTH BRISTLES DETERMINES STIFFNESS BRUSH CURRY COMB ROUND RUBBER UTENSIL USED CIRCULAR MOTION REMOVE CAKED-ON IMPROVE CIRCULATION DANDY BRUSH BRUSH WITH SHORT STIFF BRISTLES USED ONLY REMOVE CAKED-ON HOGGED MANE MANE THAT BEEN SHAVED CLOSE ENTIRE LENGTH ALSO ROACHED MANE HOOF PICK METAL PICK USED REMOVE DEBRIS FROM HOOF MANE TAIL COMB USED COMB TANGLES MANE TAIL PULLED TAIL HAIRS TAIL THINNED PULLING ROACHED MANE MANE THAT BEEN SHAVED CLOSE ENTIRE LENGTH ALSO HOGGED MANE WATER BRUSH NARROW BRUSH WITH TAPERED ENDS LONG SOFT BRISTLES WHICH USED CLEAN SENSITIVE DIFFICULT AREAS SUCH FACE EARS LEGS BARREL AREA HORSE'S BODY BETWEEN FORELEGS LOINS BARS HORSE'S MOUTH FLESHY AREA BETWEEN FRONT BACK TEETH WHERE RESTS CHIN GROOVE GROOVE ABOVE LOWER WHICH CURB CHAIN CURB LIES CREST UPPER CURVED PART NECK PECULIAR STALLIONS CROUP HIND QUARTERS FROM POINT TAIL DOCK BONY PART TAIL FROM WHICH HAIR GROWS DOCKED BONES TAIL SHORTENING TAIL SIDE RIGHT SIDE HORSE FROG TRIANGULAR RUBBER SOLE FOOT WHICH ACTS SHOCK ABSORBER GASKIN LOWER PART HORSE'S THIGH BETWEEN HOCK STIFLE LOINS WEAKEST PART HORSES BACK LYING EITHER SIDE VERTEBRAE JUST BEHIND SADDLE POLL HIGHEST POINT HORSE'S HEAD WITHERS POINT BOTTOM HORSE'S NECK FROM WHICH HORSE'S HEIGHT MEASURED COAT COLOR DEEP REDDISH BROWN WITH BLACK MANE TAIL DORSAL STRIPE CONTINUOUS STRIPE BLACK BROWN HAIR FROM NECK TAIL SEEN HORSES PRIMITIVE BREEDING SUCH EXMOOR NORWEGIAN FJORD OFTEN SEEN DUN-COLORED HORSES ALSO CALLED STRIPE COAT COLOR YELLOW SANDY COLORED BODY WITH BLACK POINTS ALSO DORSAL STRIP FLAX FLAX FLAXEN WHEN APPLIED MANE TAIL INDICATES STRAW YELLOW DIRTY WHITE NORMALLY CAUSED MIXTURE DARK HAIR WITH WHITE MEALY MUZZLE OATMEAL COLORED MUZZLE SUCH THAT SEEN EXMOOR BUCK LEAP WITH HEAD LOWERED BACK ARCHED CANTER THREE-BEATED GAIT HORSE WHICH HIND STRIDES FIRST LEADING FOLLOWED OPPOSITE DIAGONAL PAIR FINALLY OPPOSITE FORELEG CALLED LOPE WESTERN RIDING CROW HOPS MILD BUCKING MOTIONS FOREFOOTING ROPING ANIMAL FOREFEET REIN BACK WHEN HORSE MOVES BACKWARD WITH HOOVES BEING DOWN ALMOST SIMULTANEOUSLY DIAGONAL PAIRS TROT MODERATE-SPEED GAIT WHICH HORSE MOVES FROM DIAGONAL PAIR LEGS OTHER WITH PERIOD SUSPENSION BETWEEN SWORD INFO DAGGER KNIFE USUALLY FORM SWORD DAGGERS CAME VARIETY FORMS WITH BOTH SINGLE DOUBLE EDGED VARIETIES LIKE SWORDS WERE USUALLY FITTED WITH POMMEL GUARD THROUGHOUT LATE MIDDLE AGES RENAISSANCE ALSO DEVELOPED PROGRESSIVELY MORE COMPLEX HILTS DIRK LONG USUALLY SINGLE-EDGED DAGGER THAT DEVELOPED FROM MEDIEVAL BALLOCK KIDNEY DAGGERS FALCHION SINGLE-EDGED HEAVY-BLADED SWORD USUALLY WIDENING NOTICABLY TOWARDS FLAMBERGE UNUSUAL WAVED-BLADED RAPIER POPULAR WITH OFFICERS UPPER CLASSES DURING CONSIDERED LOOK BOTH FASHIONABLE DEADLY WELL ERRONEOUSLY BELIEVED INFLICT MORE DEADLY WOUND WHEN PARRYING WITH FLAMBERGE OPPONENT'S SWORD SLOWED SLIGHTLY PASSED ALONG LENGTH ALSO CREATED DISCONCERTING VIBRATION OTHER BLADE MAIN-GAUCHE LEFT-HANDED PARRYING DAGGER USED WITH RAPIER MISERICORDE FROM WORD “MERCY STRAIGHT NARROW DAGGER COMMONLY SEEN KNIGHTLY EFFIGIES SO-CALLED BECAUSE OFTEN USED GIVE FINAL “MERCY” STROKE MORTALLY WOUNDED RAPIER LONG DOUBLE-EDGED SLENDER BLADED SINGLE-HANDED SWORD DESIGNED EMPHASIZE THRUST REBATED SWORD THAT POINT EDGE BLUNTED TRAINING TOURNAMENT RICASSO UNSHARPENED PORTION SWORD BLADE NEARES HILT WASTER WOODEN PRACTICE SWORD ALSO CALLED BEVIN BAVIN CUDGEL LUNGE ATTACK WHICH SWORD THRUST FORWARD PARRY DEFENSIVE STROKE DEFLECT ATTACKER’S SWORD RIPOSTE ATTACK THAT FOLLOWS DEFENSIVE MOVE TOUCHE’ SHOUTED WHEN ATHLETE SCORES BALLESTRA BUH-LES-TRA SHORT TOWARD YOUR OPPONENT VERY CROSSBOW BLADE LENGTH STEEL THAT FORMS SWORD BACK PART BLADE OPPOSITE EDGE DOUBLE-EDGED SWORD BACK CROSS TYPICALLY STRAIGHT GUARD MEDIEVAL SWORD ALSO CALLED CROSS-GUARD RENAISSANCE TERM STRAIGHT CURVED CROSS-GUARD QUILLONS POSSIBLY FROM FRENCH LATIN TERM TYPE REED EDGE THIS SHARPENED PORTION BLADE SWORD SINGLE DOUBLE-EDGED EXAMPLE JAPANESE KATANA SINGLE EDGE SCOTTISH CLAYMORE SHARPENED BOTH SIDES HILT LOWER PORTION SWORD CONSISTING CROSS-GUARD HANDLE GRIP POMMEL MOST MEDIEVAL SWORDS HAVE STRAIGHT CROSS CRUCIFORM-HILT QUILLIONS RENAISSANCE TERM CROSS-GUARDS FORWARD BACK WHETHER STRAIGHT CURVED LIKELY FROM FRENCH LATIN TERM REED MEDIEVAL SWORDS CROSS GUARD CALLED SIMPLY CROSS JUST GUARD FORTE' RENAISSANCE TERM LOWER PORTION SWORD BLADE WHICH MORE CONTROL STRENGTH WHICH DOES MOST PARRYING ALSO CALLED PRIME FORT FOIBLE RENAISSANCE TERM UPPER PORTION SWORD BLADE WHICH WEAKER FEEBLE MORE AGILITY SPEED WHICH DOES MOST ATTACKING FULLER SHALLOW CENTRAL-GROOVE CHANNEL BLADE WHICH LIGHTENS WELL IMPROVES STRENGTH FLEX SOMETIMES MISTAKENLY CALLED BLOOD-RUN BLOOD-GROOVE NOTHING WITH BLOOD FLOW CUTTING POWER BLADE STICKING SWORD MIGHT HAVE NONE SEVERAL FULLERS RUNNING PORTION LENGTH EITHER BOTH SIDES NARROW DEEP FULLERS ALSO SOMETIMES REFERRED FLUKES OPPOSITE FULLER RISER WHICH IMPROVES RIGIDITY FULLERS FUNCTION ANALAGOUS SPINE HUMAN BODY WHEN FULLER FORGED ONTO BLADE REPACKS CRYSTALINE STRUCTURE FORMS INTO FLEXIBLE SPINE THAT REDUCES WEIGHT GIVES SWORD BOTH STRENGTH FLEXIBILITY GRIP HANDLE SWORD USUALLY MADE LEATHER WIRE WOOD BONE HORN IVORY ALSO TERM METHOD HOLDING SWORD LOWER PORTION MEDIEVAL SWORD POMMEL COUNTER-WEIGHT WHICH SECURES HILT BLADE ALLOWS HAND EITHER REST GRIP SOMETIMES INCLUDES SMALL RIVET CAPSTAN RIVET CALLED POMMEL POMMEL BOLT TANG SOME MEDIEVAL SWORDS POMMEL PARTIALLY FULLY GRIPPED HANDLED RICASSO DULL PORTION BLADE JUST ABOVE HILT INTENDED WRAPPING INDEX FINGER AROUND GIVE GREATER CONTROL CALLED FINGERING SWORD FORMS RICASSO THEY FOUND MANY BASTARD-SWORDS MOST THRUST SWORDS LATER RAPIERS THOSE TWO-HANDED SWORDS SOMETIMES CALLED FALSE-GRIP USUALLY ALLOW ENTIRE SECOND HAND GRIP HOLD ORIGIN TERM OBSCURE SHOULDER CORNER PORTION SWORD SEPARATING BLADE FROM TANG TANG UN-EDGED HIDDEN PORTION TONGUE BLADE RUNNING THROUGH HANDLE WHICH POMMEL ATTACHED PLACE WHERE TANG CONNECTS BLADE CALLED SHOULDER SWORD'S TANG SOMETIMES DIFFERENT TEMPER THAN BLADE ITSELF FULL TANG PREFERRED EUROPEAN SWORDS WHILE PARTIAL TANG BEST JAPANESE SWORDS UPPER HILT PORTION MEDIEVAL SWORD WAISTED-GRIP SPECIALLY SHAPED HANDLE SOME BASTARD HAND-AND-A-HALF SWORDS CONSISTING SLIGHTLY WIDER MIDDLE TAPERING TOWARDS POMMEL SWORD FURTHEST AWAY FROM HILT MOST SWORDS TAPER POINT SOME BLADE LINES STRAIGHT UNTIL VERY SWORDS SUCH CIVIL SABER CURVED ALONG THEIR LENGTH ANNELLET FINGER-RING SMALL LOOPS EXTENDING TOWARD BLADE FROM QUILLIONS INTENDED PROTECT FINGER WRAPPED OVER GUARD THEY DEVELOPED MIDDLE-AGES FOUND MANY STYLES LATE-MEDIEVAL SWORDS THEY COMMON RENAISSANCE THRUST SWORDS RAPIERS THEY ALSO SMALL-SWORDS SOME TIME THEY HAVE BEEN INCORRECTLY CALLED COMPOUND-HILT COMPLEX-GUARD TERM USED VARIOUS FORMS HILT FOUND RENAISSANCE SOME LATE-MEDIEVAL SWORDS THEY CONSIST TYPICALLY FINGER-RINGS SIDE-RINGS PORTS KNUCKLE-BAR COUNTER-GUARD BACK-GUARD SWEPT-HILTS RING-HILTS CAGE-HILTS SOME BASKET-HILTS FORMS COMPLEX-GUARD OTHER STUFF FLAIL JOINTED WEAPON CONSISTING SPIKED FLANGED KNOBBED STEEL BLUDGEON JOINED CHAIN SHORT WOOD STEEL HAFT AKETON PADDED QUILTED GARMENT USUALLY LINEN WORN UNDER INSTEAD PLATE MAIL ARGENT HERALDIC COLOR TINCTURE SILVER WHITE ARMET CLOSED HELMET CONSISTING ROUNDED BASCINET WITH CHEEK PIECES OVERLAPPING FRONT WHEN CLOSED BACINET RELATIVELY LIGHT HELMET WITH ROUNDED POINTED SOMETIMES FITTED WITH VISOR CALLED BASSINET BEGUIN ALSO FLEMISH HOOD RECTANGLE LINEN CAREFULLY FOLDED INTO SYMMETRICAL HEADDRESS CAUGHT TOGETHER NAPE NECK BODICE CLOSE FITTING UPPER PART WOMAN'S DRESS WOMAN'S WIDE SLEEVELESS VEST TIGHTLY LACED FRONT WORN OVER BLOUSE DRESS USUALLY LOW-CUT BRACERS PLATE ARMOUR ARMS CASSOCK WORN WOMEN THIS LOOSE HIP-LENGTH COAT WITH SMALL COLLAR HOOD CHAINSE WHITE LONG-SLEEVED UNDERTUNIC FINE LINEN WORN EARLY MIDDLE AGES FEMININE COSTUME GROUND-LENGTH LATER DEVELOPED INTO SHIRT CHEMISE CINQUEFOIL STYLIZED FLOWER WITH FIVE RADIATING PETALS LEAVES USED HERALDRY CIRCLET CIRCULAR BAND WORN ORNAMENT FINGER NECK HEAD COTTAGER PEASANT LOWER CLASS OWNED COTTAGE OWNED LITTLE LAND EYRE RIGHT KING JUSTICES ACTING NAME VISIT INSPECT HOLDINGS VASSAL USUALLY DONE INTERVALS YEARS GABARDINE LONG LOOSE OVERCOAT WITH HANGING SLEEVES WORN BOTH SEXES CLASSES GULES HERALDIC COLOR TINCTURE JERKIN SHORT CLOSE-FITTING COAT JACKET OFTEN SLEEVELESS WORN CENTURIES SHORT SLEEVELESS VEST WORN WOMEN GIRLS KIRTLE SHORT SKIRT WORN WOMEN LONG GOWN DRESS WORN WOMEN LONG TUNIC WORN MANTLE LOOSE SLEEVELESS CLOAK CAPE POSTERN GATE SIDE LESS IMPORTANT GATE INTO CASTLE PURPURE HERALDIC COLOR TINCTURE PURPLE SAMITE HEAVY SILK FABRIC WORN MIDDLE AGES SOMETIMES INTERWOVEN WITH GOLD SLOP-HOSE SAILOR'S BREECHES TUNIC LOOSE GOWNLIKE GARMENT WORN WOMEN ANCIENT GREECE ROME BLOUSELIKE GARMENT EXTENDING HIPS LOWER USUALLY GATHERED WAIST OFTEN WITH BELT TURRET SMALL TOWER RISING ABOVE RESTING MAIN TOWERS CASTLE USUALLY USED LOOK-OUT POINT
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